The Sylvia Plath 75th Year Symposium at Smith College, held on 25-26 April, brought together a wide variety of Plath's readers. Nearly all the papers and presentations given were first heard at the Oxford Symposium in October 2007. Additional content included a fascinating paper by Susan van Dyne ("'The endless gladitorial event': Who was Hughes as Plath's editor?"), author of Revising Life: Sylvia Plath's Ariel Poems, and a panel of friends of Sylvia Plath, which included Judith Kroll, who read letters they received from either Sylvia Plath or, in the case of Kroll, from Aurelia Plath. Attendance consisted mainly of people from the Northampton area, but some drove in from all over New England, or flew in from places as far as Texas and Japan.
The events kicked off on Friday with a community reading of Ariel: The Restored Edition. Plath fans, scholars, poets, and other distinguished guests read the poems one by one. Phil McCurdy began the reading with a brief story and a reading of "Mad Girl's Love Song", which Plath wrote circa 1953. A fan then read Plath's "Mirror", before the first poem "Morning Song" really got things going. This was a wonderful way to start the Symposium, and Plath herself joined us as she read "Daddy" from the famous 1962 BBC recording. Her voice joined a chorus of others from the first line, "Love set you going like a fat gold watch" to the last, "The bees are flying. They taste the spring". The Mortimer Rare Book Room, converted for the occasion, was full with standing room only available around the sides and to the back. It was great to see so many Plath fans.
Saturday's schedule was full, ambitious, and ran very smoothly from all outward appearances. A tremendous thank you must go to Aubrey Menard and Karen Kukil, and the rest of the Smith College helper-elves, for coordinating the events. The papers, many of which I heard at Oxford, were new all over again. And, particularly nice to hear were the papers I missed at Oxford due to the concurrent session format, which cannot be avoided at such large events. Throughout the day there were breaks, in which we could socialize and idolize.
Papers/presentations I missed at Oxford were given by Heather Clark ("Plath and Hughes Redivivus: 'Venus in the Seventh'"), Annie Finch ("Libretto and Imagination: On writing "Sylvia and the Moon"), Diane Hunter ("The Dead Mother Complex between Plath and Hughes"), Patrick O'Connor ("Plath and Global Politics"), Cornelia Pearsall ("'Wars, wars, wars': Plath's Martial Arts"), and Dorothy Wang ("Sylvia Plath, Race, and White Womanhood").
The highlight of the day, however, was the Plath's friends panel at the end of the evening. Stern, Klein, and McCurdy read letters sent to them by Plath, and they each also discussed the Plath that they knew. The stories were warm, funny, and fond, and at the risk of redundancy from my previous post, excerpts can be seen and heard through the Smith multimedia webpage. Judith Kroll recounted stories of her undergraduate times at Smith under the tutelage of Plath's former professor and mentor Alfred Young Fisher, as well as her work with Ted Hughes, Olwyn Hughes, and Plath's Collected Poems, from the mid 1970s. She read a bit from a letter she received from Aurelia Plath, after she met her in 1976 following the publication of her own Chapters in a Mythology: The Poetry of Sylvia Plath.
Actress Julia Stiles and actress/screenwriter Tristine Skyler were present, pleasant, attentive, and approachable throughout the Symposium. They are conducting research for their forthcoming film adaptation of The Bell Jar. This is bound to be an emotional project for all, and it was very welcome to see them so involved with the librarians and archivists at Smith, and the Plath scholars and fans present for the event. I was fortunate enough to have their attention from time to time on both Friday and Saturday and really enjoyed the opportunity to talk Plath with such respectable figures.
Everyone behaved, and as with Oxford there were no fistfights, brawls, excessive name-calling, etc. I guess the brawls and such will have to wait for the joint Plath/Hughes conference.
Publications & Acknowledgements
- BBC Four.A Poet's Guide to Britain: Sylvia Plath. London: BBC Four, 2009. (Acknowledged in)
- Biography: Sylvia Plath. New York: A & E Television Networks, 2005. (Photographs used)
- Connell, Elaine. Sylvia Plath: Killing the angel in the house. 2d ed. Hebden Bridge: Pennine Pens, 1998. (Acknowledged in)
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives." Plath Profiles 2. Summer 2009: 183-208.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives, Redux." Plath Profiles 3. Summer 2010: 232-246.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 3." Plath Profiles 4. Summer 2011: 119-138.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 4: Looking for New England." Plath Profiles 5. Summer 2012: 11-56.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 5: Reanimating the Past." Plath Profiles 6. Summer 2013: 27-62.
- Death Be Not Proud: The Graves of Poets. New York: Poets.org. (Photographs used)
- Doel, Irralie, Lena Friesen and Peter K. Steinberg. "An Unacknowledged Publication by Sylvia Plath." Notes & Queries 56:3. September 2009: 428-430.
- Elements of Literature, Third Course. Austin, Tex. : Holt, Rinehart and Winston, 2009. (Photograph used)
- Helle, Anita. "Lessons from the Archive: Sylvia Plath and the Politics of Memory". Feminist Studies 31:3. Fall 2005: 631-652.. (Acknowledged in)
- Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. Ann Arbor: University of Michigan Press, 2007. (Photographs used, acknowledged in)
- Holden, Constance. "Sad Poets' Society." Science Magazine. 27 July 2008. (Photograph used)
- Making Trouble: Three Generations of Funny Jewish Women, Motion Picture. Directed by Rachel Talbot. Brookline (Mass.): Jewish Women's Archive, 2007. (Photograph used)
- Plath, Sylvia, and Karen V. Kukil. 2000. The Unabridged Journals of Sylvia Plath, 1950-1962. New York: Anchor Books. (Acknowledged in)
- Gill, Jo. "Sylvia Plath in the South West." University of Exeter Centre for South West Writing, 2008. (Photograph used)
- Reiff, Raychel Haugrud. Sylvia Plath: The Bell Jar and Poems (Writers and Their Works). Marshall Cavendish Children's Books, 2008.. (Images provided)
- Plath, Sylvia. Glassklokken. Oslo: De norske Bokklubbene, 2004. (Photograph used on cover)
- Steinberg, Peter K. Sylvia Plath (Great Writers). Philadelphia: Chelsea House Publishers, 2004.
- Steinberg, Peter K. "'I Should Be Loving This': Sylvia Plath's 'The Perfect Place' and The Bell Jar." Plath Profiles 1. Summer 2008: 253-262.
- Steinberg, Peter K. "'They Had to Call and Call': The Search for Sylvia Plath." Plath Profiles 3. Summer 2010: 106-132.
- Steinberg, Peter K. "Sylvia Plath." The Spoken Word: Sylvia Plath. London: British Library, 2010.
- Steinberg, Peter K. "This is a Celebration: A Festschrift for The Unabridged Journals of Sylvia Plath." Plath Profiles 3 Supplement. Fall 2010: 3-14.
- Steinberg, Peter K. "Proof of Plath." Fine Books & Collections 9:2. Spring 2011: 11-12.
- Steinberg, Peter K. "A Perfectly Beautiful Time: Sylvia Plath at Camp Helen Storrow." Plath Profiles 4. Summer 2011: 149-166.
- Steinberg, Peter K. "Textual Variations in The Bell Jar Publications." Plath Profiles 5. Summer 2012.
- "Banking on his passion for Plath" by Melissa Davis Haller. UMW Today. Spring 2005.
- "Sylvia Plath's Three Women to be staged in London" by Alison Flood. The Guardian. 3 December 2008.
- "FBI files on Sylvia Plath's father shed new light on poet" by Dalya Alberge. The Guardian. 17 August 2012.
- "There Are Almost No Obituaries for Sylvia Plath" by Ashley Fetters. The Atlantic. 11 February 2013.