04 February 2009

Writing to Art

Sylvia Plath's own artwork has received much attention in the last seven years. The Eye Rhymes exhibit at the Sylvia Plath 70th Year Symposium at Indiana University, Bloomington, in 2002, and the book Eye Rhymes: Sylvia Plath's Art of the Visual (edited by Kathleen Connors and Sally Bayley) published in 2007, led the way. And, artists inspired by Plath's work were given special exhibition at the Sylvia Plath 75th Year Symposium.

Plath, who considered majoring in art at Smith College, had an emotional and creative reaction to artwork, in a wide range of mediums. Doris Kraler-Bergmann's recently published Sylvia Plath's Lyrical Responses to Works of Art: A Portrait of the Artist(s) (VDM Verlag, 2008) approaches Plath as a viewer of artistic works and as one who responds, lyrically, to them. This is called ekphrasis. Merriam Webster defines this as "a literary description of or commentary on a visual work of art."

The focus of Kraler-Bergmann's book are the art poems Plath wrote in March 1958, at the request of ARTnews. Plath wrote two poems each on paintings by Giorgio de Chirico and Henri Rousseau, and four poems on etchings and paintings by Paul Klee. Though Plath wrote eight poems altogether, Kraler-Bergmann focuses on only two of them: "Yadwigha, on a Red Couch, Among Lilies" and "Snakecharmer". Kraler-Bergmamm also looks at "Sculptor". "Sculptor", written about and dedicated to Leonard Baskin, is not strictly an ARTnews poem, but it is ekphrastic.

It was this March 1958, ekphrastic-creative outburst that lead Plath to believe she would be "the poetess of America" (Letters Home, 360). Obviously that came later and at a deep consequence, and unfortunately Plath failed to see any of these poems published in ARTnews. Kraler-Bergmann's study is a good read, and a welcome contribution to this subject, as well as an inspired examination of poems that Plath thought, for a time, were the foundation upon which her reputation would rest.


Al said...

What an interesting aspect of Plath; I never knew she had considered majoring in art. I think I'll check out Eye Rhymes :).

Peter K Steinberg said...

Hi Al,

Thank you for the comment. Eye Rhymes is worth its weight in gold, and more. The essays are expert, and the illustrations beautiful. It's a scholarly coffee table book!


Anonymous said...

I highly recommend "Eye Rhymes: Sylvia Plath's Art of the Visual". Besides the early scrapbook type work, the text goes into a lot of detail about visual imagery in the poems...and her collages, as well as some of the paintings from 1950-51 at age 18 or so (around the time she started at Smith College) are quite remarkable, particularly the somewhat abstract "Two Women reading" and "Nine Female Figures" and the "Triple-face portrait" which show the influence of Matisse and are really excellent. Jim Long

Anonymous said...

Where was the Yadwigha poem originally published? I am really having a hard time finding this info.

Peter K Steinberg said...

Thanks, Anonymous, for your comment. This poem first appeared in The Christian Science Monitor on March 26, 1959, page 8. It then appeared in a limited edition Crystal Gazer in 1971. Finally, it appeared in Plath's Collected Poems published in 1981.


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Publications & Acknowledgements

  • BBC Four.A Poet's Guide to Britain: Sylvia Plath. London: BBC Four, 2009. (Acknowledged in)
  • Biography: Sylvia Plath. New York: A & E Television Networks, 2005. (Photographs used)
  • Connell, Elaine. Sylvia Plath: Killing the angel in the house. 2d ed. Hebden Bridge: Pennine Pens, 1998. (Acknowledged in)
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 3." Plath Profiles 4. Summer 2011: 119-138.
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 4: Looking for New England." Plath Profiles 5. Summer 2012: 11-56.
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 5: Reanimating the Past." Plath Profiles 6. Summer 2013: 27-62.
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives, Redux." Plath Profiles 3. Summer 2010: 232-246.
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives." Plath Profiles 2. Summer 2009: 183-208.
  • Crowther, Gail and Peter K. Steinberg. These Ghostly Archives: The Unearthing of Sylvia Plath. Oxford: Fonthill, 2017.
  • Death Be Not Proud: The Graves of Poets. New York: Poets.org. (Photographs used)
  • Doel, Irralie, Lena Friesen and Peter K. Steinberg. "An Unacknowledged Publication by Sylvia Plath." Notes & Queries 56:3. September 2009: 428-430.
  • Elements of Literature, Third Course. Austin, Tex. : Holt, Rinehart and Winston, 2009. (Photograph used)
  • Gill, Jo. "Sylvia Plath in the South West." University of Exeter Centre for South West Writing, 2008. (Photograph used)
  • Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. Ann Arbor: University of Michigan Press, 2007. (Photographs used, acknowledged in)
  • Helle, Anita. "Lessons from the Archive: Sylvia Plath and the Politics of Memory". Feminist Studies 31:3. Fall 2005: 631-652.. (Acknowledged in)
  • Holden, Constance. "Sad Poets' Society." Science Magazine. 27 July 2008. (Photograph used)
  • Making Trouble: Three Generations of Funny Jewish Women, Motion Picture. Directed by Rachel Talbot. Brookline (Mass.): Jewish Women's Archive, 2007. (Photograph used)
  • Plath, Sylvia, and Karen V. Kukil. The Unabridged Journals of Sylvia Plath, 1950-1962. New York: Anchor Books, 2000. (Acknowledged in)
  • Plath, Sylvia, and Peter K. Steinberg and Karen V. Kukil (eds.). The Letters of Sylvia Plath, Volume 1, 1940-1956. London: Faber, 2017. Forthcoming.
  • Plath, Sylvia. Glassklokken. Oslo: De norske Bokklubbene, 2004. (Photograph used on cover)
  • Reiff, Raychel Haugrud. Sylvia Plath: The Bell Jar and Poems (Writers and Their Works). Marshall Cavendish Children's Books, 2008.. (Images provided)
  • Steinberg, Peter K. "'A Fetish: Somehow': A Sylvia Plath Bookmark." Court Green 13. 2017.
  • Steinberg, Peter K. "'I Should Be Loving This': Sylvia Plath's 'The Perfect Place' and The Bell Jar." Plath Profiles 1. Summer 2008: 253-262.
  • Steinberg, Peter K. "'They Had to Call and Call': The Search for Sylvia Plath." Plath Profiles 3. Summer 2010: 106-132.
  • Steinberg, Peter K. "A Perfectly Beautiful Time: Sylvia Plath at Camp Helen Storrow." Plath Profiles 4. Summer 2011: 149-166.
  • Steinberg, Peter K. "Proof of Plath." Fine Books & Collections 9:2. Spring 2011: 11-12.
  • Steinberg, Peter K. "Sylvia Plath." The Spoken Word: Sylvia Plath. London: British Library, 2010.
  • Steinberg, Peter K. "Textual Variations in The Bell Jar Publications." Plath Profiles 5. Summer 2012.
  • Steinberg, Peter K. "The Persistence of Plath." Fine Books & Collections. Autumn 2017: 24-29
  • Steinberg, Peter K. "This is a Celebration: A Festschrift for The Unabridged Journals of Sylvia Plath." Plath Profiles 3 Supplement. Fall 2010: 3-14.
  • Steinberg, Peter K. "Writing Life" [Introduction]. Sylvia Plath in Devon: A Year's Turning. Stroud, Eng.: Fonthill Media, 2014.
  • Steinberg, Peter K. Sylvia Plath (Great Writers). Philadelphia: Chelsea House Publishers, 2004.