Is it too early to look at 2013? It is now officially summer, which means the countdown to winter and 2013 has begun. We will lose daylight like I am losing hair...
But, while it might indeed be early, the 50th anniversary of the publication of The Colossus in America has me thinking again about the 50th anniversary of two major Sylvia Plath events that occurred in 1963. The first was the publication of The Bell Jar in England on January 14, 1963; and the second - you might have guessed - was her death on February 11.
Keep in mind since it is so far out, the dates below might change.
On 3 January 2013, Faber will publish a new edition of The Bell Jar. I have been dreaming that Faber can or will re-use the original cover.
And as you might imagine, Plath will be the subject of dozens of articles, but also a few monographs. Below is a list of what's expected so far.
Mad Girl's Love Song: Sylvia Plath and Life Before Ted by Andrew Wilson (Simon & Schuster Ltd) 31 January
UK ; US.
The Mademoiselle Summer: Sylvia Plath in New York, Summer 1953 by Elizabeth Winder (Chatto & Windus) 7 February,
UK. (Scheduled to be published in the US on 29 January 2013 as Pain, Parties, Work: Sylvia Plath in New York, Summer 1953).
The word on Winder's book: "In June of 1953, Sylvia Plath came to New York City to work as an intern at Mademoiselle magazine. For twenty-six days, the bright, blonde, 21-year old from Wellesley, Massachusetts would go to Balanchine ballets, have lunch with Mademoiselle’s editor-in-chief, type rejection letters to writers from the New Yorker, stalk Dylan Thomas at the White Horse Tavern and in the hallway of his hotel. She threw all her clothes off the balcony of her hotel and kept only a white bathrobe. She went to the theatre and discovered her signature drink (vodka, no ice). Pain, Parties, Work—the three words Plath used in her journal to describe New York—is an examination of that crucial summer. Winder argues that New York changed Plath’s relationships with men and her friendships with women; and gave her the life experience, for better and for worse, to write The Bell Jar. A biography of a moment in time starring the girl who would become the greatest and most influential poet of the twentieth century." (source: page 8)
We should note that in June 1953, Plath was still 20 years old.
American Isis: The Life and Art of Sylvia Plath by Carl Rollyson (St. Martin's Press) is scheduled to be published on 22 January 2013.
Carl's book will feature some previously unpublished photographs. One, which will be on the cover, is of Sylvia Plath, taken in April 1954 (just three months after her return to Smith from her suicide attempt and recovery) while Plath was an undergraduate student at Smith College. The photographer was a fellow Lawrence House resident, Judith Snow Denison (Smith 1957, Physics). You can see a small version of the image on Carl's website. The tree in which Plath sits in is in front of Lawrence House.
Interestingly, Denison knew of Plath before matriculating at Smith College, having read the young poets work in Seventeen magazine. (Plath, as you know, published a total of nine stories and poems in Seventeen from August 1950 ("And Summer Will Not Come Again") through April 1953 ("Carnival Nocture"). Her first poem to be printed in the magazine, "Ode to a Bitten Plum," appeared in both the November 1950 and January 1974 issues.) Denison and fellow Smithie Marilyn Martin are among others who provide insight and context into Smith College, Sylvia Plath, and what it was like to be a young woman in the 1950s in Carl's forthcoming biography of Plath.
Carl's book will also publish for the first time a photograph of Frieda and Nicholas Hughes from the mid-1960s after Plath's death. In addition to the images, readers will learn from Carl's research new information about Plath's life.
It is clear that we will have to have clear and open up our reading schedules next winter...
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Publications & Acknowledgements
- BBC Four.A Poet's Guide to Britain: Sylvia Plath. London: BBC Four, 2009. (Acknowledged in)
- Biography: Sylvia Plath. New York: A & E Television Networks, 2005. (Photographs used)
- Connell, Elaine. Sylvia Plath: Killing the angel in the house. 2d ed. Hebden Bridge: Pennine Pens, 1998. (Acknowledged in)
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives." Plath Profiles 2. Summer 2009: 183-208.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives, Redux." Plath Profiles 3. Summer 2010: 232-246.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 3." Plath Profiles 4. Summer 2011: 119-138.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 4: Looking for New England." Plath Profiles 5. Summer 2012: 11-56.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 5: Reanimating the Past." Plath Profiles 6. Summer 2013: 27-62.
- Death Be Not Proud: The Graves of Poets. New York: Poets.org. (Photographs used)
- Doel, Irralie, Lena Friesen and Peter K. Steinberg. "An Unacknowledged Publication by Sylvia Plath." Notes & Queries 56:3. September 2009: 428-430.
- Elements of Literature, Third Course. Austin, Tex. : Holt, Rinehart and Winston, 2009. (Photograph used)
- Helle, Anita. "Lessons from the Archive: Sylvia Plath and the Politics of Memory". Feminist Studies 31:3. Fall 2005: 631-652.. (Acknowledged in)
- Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. Ann Arbor: University of Michigan Press, 2007. (Photographs used, acknowledged in)
- Holden, Constance. "Sad Poets' Society." Science Magazine. 27 July 2008. (Photograph used)
- Making Trouble: Three Generations of Funny Jewish Women, Motion Picture. Directed by Rachel Talbot. Brookline (Mass.): Jewish Women's Archive, 2007. (Photograph used)
- Plath, Sylvia, and Karen V. Kukil. 2000. The Unabridged Journals of Sylvia Plath, 1950-1962. New York: Anchor Books. (Acknowledged in)
- Gill, Jo. "Sylvia Plath in the South West." University of Exeter Centre for South West Writing, 2008. (Photograph used)
- Reiff, Raychel Haugrud. Sylvia Plath: The Bell Jar and Poems (Writers and Their Works). Marshall Cavendish Children's Books, 2008.. (Images provided)
- Plath, Sylvia. Glassklokken. Oslo: De norske Bokklubbene, 2004. (Photograph used on cover)
- Steinberg, Peter K. Sylvia Plath (Great Writers). Philadelphia: Chelsea House Publishers, 2004.
- Steinberg, Peter K. "'I Should Be Loving This': Sylvia Plath's 'The Perfect Place' and The Bell Jar." Plath Profiles 1. Summer 2008: 253-262.
- Steinberg, Peter K. "'They Had to Call and Call': The Search for Sylvia Plath." Plath Profiles 3. Summer 2010: 106-132.
- Steinberg, Peter K. "Sylvia Plath." The Spoken Word: Sylvia Plath. London: British Library, 2010.
- Steinberg, Peter K. "This is a Celebration: A Festschrift for The Unabridged Journals of Sylvia Plath." Plath Profiles 3 Supplement. Fall 2010: 3-14.
- Steinberg, Peter K. "Proof of Plath." Fine Books & Collections 9:2. Spring 2011: 11-12.
- Steinberg, Peter K. "A Perfectly Beautiful Time: Sylvia Plath at Camp Helen Storrow." Plath Profiles 4. Summer 2011: 149-166.
- Steinberg, Peter K. "Textual Variations in The Bell Jar Publications." Plath Profiles 5. Summer 2012.
Interviews
- "Banking on his passion for Plath" by Melissa Davis Haller. UMW Today. Spring 2005.
- "Sylvia Plath's Three Women to be staged in London" by Alison Flood. The Guardian. 3 December 2008.
- "FBI files on Sylvia Plath's father shed new light on poet" by Dalya Alberge. The Guardian. 17 August 2012.
- "There Are Almost No Obituaries for Sylvia Plath" by Ashley Fetters. The Atlantic. 11 February 2013.
4 comments:
I love that new photo of Plath! Thanks for contextualising it, Peter!
Thanks, Peter, for calling attention to my book.
Gosh. Carls book sounds interesting…
Mr Flur
Hi Peter, look what I just found... http://www.faber.co.uk/catalog/the-bell-jar/9780571268863
I guess, no original cover then. :( Too bad. I'm not sure if I really like it. It's kinda tacky, even though it's supposed to look vintage and classy, for me it's just ugly and I'm really sorry to say this. If they had to make something totally new, why not come up with a cool cover like the one for Faber's 80th birthday or even the 25th anniversary edition!? I think, I prefer almost every other cover to this one. And this makes me very depressed. ;)
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