My path to becoming a Plath scholar has been one of twists and turns. I've been lucky to work with Sylvia Plath's materials in both proprietary repositories, Smith College's Mortimer Rare Book Room and Indiana University's Lilly Library. A native of Western Massachusetts, I aspired to being a "Smithie" from a young age, frequently heading to Northampton with friends as a reprieve from our less exciting towns in the Valley. I was accepted to, and began attending, the all women's college in 2009, and quickly picked up on the legacy of famous graduates discussed by other students. I already knew of Julia Child, but of the other popular alumnae, it took some time for me to learn their stories. Sylvia Plath was just another name in the bucket, a poet and a writer, yes, but at that stage in my life, she was another amorphous representation of the College's tangle in history. My age attributed to this, but struggling with my academic direction was also the cause; my major and future were unclear to me and left me in an uneasy state. I liked reading, organizing, and libraries, but what jobs could be tailored to this? Where would a degree get me with these skills? Little did I know, the archives would soon be my answer.
Judith Glazer-Raymo (Smith ’53)
and Amanda Ferrara (Smith ’13)
17 January 2012 at The Grolier Club
The Lilly Library (source)
Being from Massachusetts originally, the distance between the two states has not been lost on me. I recognize the privilege I have by being so close to the Lilly's Plath manuscripts, and have made myself available as a proxy researcher to contacts like Judith Glazer-Raymo and Amanda Golden. Paralleling my time at Smith, I took archives/special collections classes at the Lilly, Manuscripts and Processing Manuscript Collections, which lead me to find a position as a Manuscripts Assistant for the Manuscripts Archivist, Craig Simpson. Craig asked me my interests when I was hired, and the work he had planned worked out perfectly with my interests. Many Indiana University repositories follow Greene and Meissner's "More Product, Less Process" (MPLP) (2005) in order to make collections available to researchers in a more timely manner. Though this practice is based in accessibility, the downside is that small details of collections are absent until an archivist can return to them at a later date (well, let's be real: interns and students are typically the ones returning!). This is the case with collections of materials in all repositories that employ MPLP, the Plath manuscript (mss) included. Some of my first projects at the Lilly involved me updating Plath descriptions and inventories for mss III, IV, V, IX, X, and XI (reference Guide to the Plath Materials for more information).
"The Bell Jar Revisited",
curated by Amanda Ferrara, 2013,
There are many more gems for researchers to search for and find, in the now unhidden Plath manuscript collections at the Lilly Library. Personally, I have enjoyed the process of returning to these manuscripts due to my original curiosity of Plath related topics. I think many archivists fear that our work in processing collections will go unnoticed and unused by the public, but my experience with the Plath mss at the Lilly has given me hope that this is not the case. The collections are appreciated at both institutions, and I am thankful my work is a part of that collective. There is still much work to be done, not only with the Plath collections, but with all archival materials, and I hope I can be a part of that in whatever small or large way I am afforded in the future.
If you would like to contact Amanda regarding Plath research at Indiana University's Lilly Library, please contact her via email.
All links accessed 28 April 2015.