Update: These Ghostly Archives: The Unearthing of Sylvia Plath

Recently, Gail Crowther (website; twitter) and I submitted our final edits to the publisher Fonthill for our forthcoming book of essays These Ghostly Archives: The Unearthing of Sylvia Plath. Currently, we are reviewing page proofs. The timetable for the rest of the pre-publication process is unknown. But progress is being made which is wonderful! We were excited to learn, also, that listings for the book are now Amazon.co.uk and Amazon.com.

And, it gives us great pleasure here to post here the cover for our book:

The Amazon's seem to say that TGA will be published on 11 May 2017. However, the following press release indicates that the book will be published on 25 May 2017. Not sure at this point in time which is correct. All that does matter is that the book is coming out and that you are going to have your socks knocked off by the essays.

Writing this book was such a joy. From the start to (nearly at the) finish, I cannot express how thrilling each essay was to research and discuss and write. We were afforded the opportunity to revise each piece from their original appearances. We feel we greatly improved them (at the expense of some of our archival stories, sadly) for publication. At the same time, though, we were able to bring to your attention brand new archival discoveries and three new, original chapters.

All links accessed 25 January 2017.

Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove...

Some final photographs of Sylvia Plath

Susan O'Neill-Roe took a series of photographs of Sylvia Plath and her children from October to late November (or maybe early December) 1962 while she was a day nanny/mother's help at Court Green. From nearby Belstone , it was a short drive to North Tawton and the aid she provided enabled Plath to complete the masterful October and November poems and also to make day or overnight trips to London for poetry business and other business. Some of O'Neill-Roe's photographs are well-known. However, a cache of photographs formed a part of the papers of failed biographer Harriet Rosenstein. They were sold separately from the rest of her papers that went to Emory. I was fortunate enough to see low resolution scans of them a while back so please note these are being posted today as mere reference quality images. There are two series here. The first of the children with Plath dressed in red and black. (This should be referred to in the future, please, as Plath's Stendhal-c...

Amy C. Rea Reviews Heather Clark's Red Comet: The Short Life and Blazing Art of Sylvia Plath

Here’s a thing about me: I’m a voracious reader, but very rarely have a physically based emotional response to something I’m reading. I don’t laugh out loud, I don’t cry, both of which I do when watching movies. It’s not that I don’t find things funny or sad when I read, but apparently I need more of a visual cue. So it’s telling that when I got to the end of Dr. Heather Clark’s new biography of Sylvia Plath, Red Comet , I cried. It’s not as if I didn’t know how the story ended. But the level of detail and analysis Clark brings to her study of Plath is so detailed, and her examination of those brutal last weeks so deeply explored, that it broke my heart. Clark has done some tremendously important and much-needed work with this biography. It would be remiss of me not to note the aid she received from Peter K. Steinberg and the work he did compiling Plath’s Letters . Clark clearly spent a great deal of time studying these source materials, as well as others that were not available ...

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