Yesterday, in day 3 of the Symposium, Amanda Golden kicked off the afternoon with a rivetingly brilliant paper on Plath's "Purdah", Sanskrit and so much more. The paper examined Plath's experience in working for the Sanskrit department at Harvard University, briefly, in her 1958-1959 year in Boston. Plath had some education with the language through her reading of T.S. Eliot's poem "The Waste Land" and from courses taken at Smith particularly under the tutelage of Professor Drew. Amanda's work in the archive is inspiring and thorough, as was evidence in both the slides she presented of Plath's annotations in her books, but also in the notes she took in her courses, which indicate the process by which Plath studied. Amanda spoke at length about Forster's novel A Passage to India, which she also read in the Boston year, and how reading it thus informed her short story "The Daughters of Blossom Street" and later her poem "Purdah" (a scan of the word 'purdah' underlined in her famous Dictionary - held at Smith College - was particularly resonant. Golden contended that in some ways her reading of this novel lead her to be less interested (for lack of a better word on my part) in virginia Woolf because her rendering of life was less believable/real than in Forster. Amanda is a rare, bright star.
Following on Amanda's heels was David Trinidad whose essay on the biographicl references and sources to Plath's October poems was an inspired piece. For those that were there, I think we can all agree that we could have listened to David speak for about 17 more hours. Or more. Culled down from a large piece, David focused on the poems written after Hughes left Court Green including "Daddy" and "Eavesdropper" and "Lesbos", among others. An extremely careful and detailed work of art, David's essay was, quite well received, a highlight included a calendar layout of the month with the names of the poems written in on the days in which they were composed, and other significant events, as well as contextual photographs that are important to the poems including the photograph of Otto Plath standing at a blackboard, and photographs take by Gail Crowther of the home the Kane's in St. Ives (where Plath stayed the weekend of Ocober the 13th/14th), which features in "Lesbos". I look more and more forward to anything David sets his mind to do.
Equally, Tracy Brain is another Sylvia Plath scholar who continually fasincates and impresses me. Her presentation on "Medicing in Sylvia Plath's October Poems" was very well done and stayed within the limitations of the conference, much to the disappointment of everything in the audience who, as with David and Amanda, wanted more, more, more. Jumping off from a photograph of a nearly eight year old Plath dressed as a nurse in Winthrop during her father's final illness, Tracy traced Plath's experience with the medical world and her interaction with it in texts. Citing excised text from The Bell Jar, Plath's famous Orr interview, and poems and prose, Tracy concentrated on the bee poems, "Lesbos", "A Secret", "The Applicant", "The Jailor", "Fever 103", "Lesbos", and "Lady Lazarus".
The third day of the Symposium was truly a memorable one. It was so packed with panels and conversation, it was like sprinting a marathon. I've had a chance to meet a of people with whom I've only emailed. It it is wonderful to put faces and voices with the names. But there wasn't even enough time to talk to everyone as much as I really wanted.
Publications & Acknowledgements
- BBC Four.A Poet's Guide to Britain: Sylvia Plath. London: BBC Four, 2009. (Acknowledged in)
- Biography: Sylvia Plath. New York: A & E Television Networks, 2005. (Photographs used)
- Connell, Elaine. Sylvia Plath: Killing the angel in the house. 2d ed. Hebden Bridge: Pennine Pens, 1998. (Acknowledged in)
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives." Plath Profiles 2. Summer 2009: 183-208.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives, Redux." Plath Profiles 3. Summer 2010: 232-246.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 3." Plath Profiles 4. Summer 2011: 119-138.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 4: Looking for New England." Plath Profiles 5. Summer 2012: 11-56.
- Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 5: Reanimating the Past." Plath Profiles 6. Summer 2013: 27-62.
- Crowther, Gail and Peter K. Steinberg. These Ghostly Archives: The Unearthing of Sylvia Plath. Oxford: Fonthill, 2017. Forthcoming.
- Death Be Not Proud: The Graves of Poets. New York: Poets.org. (Photographs used)
- Doel, Irralie, Lena Friesen and Peter K. Steinberg. "An Unacknowledged Publication by Sylvia Plath." Notes & Queries 56:3. September 2009: 428-430.
- Gill, Jo. "Sylvia Plath in the South West." University of Exeter Centre for South West Writing, 2008. (Photograph used)
- Elements of Literature, Third Course. Austin, Tex. : Holt, Rinehart and Winston, 2009. (Photograph used)
- Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. Ann Arbor: University of Michigan Press, 2007. (Photographs used, acknowledged in)
- Helle, Anita. "Lessons from the Archive: Sylvia Plath and the Politics of Memory". Feminist Studies 31:3. Fall 2005: 631-652.. (Acknowledged in)
- Holden, Constance. "Sad Poets' Society." Science Magazine. 27 July 2008. (Photograph used)
- Making Trouble: Three Generations of Funny Jewish Women, Motion Picture. Directed by Rachel Talbot. Brookline (Mass.): Jewish Women's Archive, 2007. (Photograph used)
- Plath, Sylvia, and Karen V. Kukil. The Unabridged Journals of Sylvia Plath, 1950-1962. New York: Anchor Books, 2000. (Acknowledged in)
- Plath, Sylvia, and Peter K. Steinberg and Karen V. Kukil (eds.). The Letters of Sylvia Plath. London: Faber, 2017. Forthcoming.
- Plath, Sylvia. Glassklokken. Oslo: De norske Bokklubbene, 2004. (Photograph used on cover)
- Reiff, Raychel Haugrud. Sylvia Plath: The Bell Jar and Poems (Writers and Their Works). Marshall Cavendish Children's Books, 2008.. (Images provided)
- Steinberg, Peter K. Sylvia Plath (Great Writers). Philadelphia: Chelsea House Publishers, 2004.
- Steinberg, Peter K. "'I Should Be Loving This': Sylvia Plath's 'The Perfect Place' and The Bell Jar." Plath Profiles 1. Summer 2008: 253-262.
- Steinberg, Peter K. "Sylvia Plath." The Spoken Word: Sylvia Plath. London: British Library, 2010.
- Steinberg, Peter K. "'They Had to Call and Call': The Search for Sylvia Plath." Plath Profiles 3. Summer 2010: 106-132.
- Steinberg, Peter K. "This is a Celebration: A Festschrift for The Unabridged Journals of Sylvia Plath." Plath Profiles 3 Supplement. Fall 2010: 3-14.
- Steinberg, Peter K. "A Perfectly Beautiful Time: Sylvia Plath at Camp Helen Storrow." Plath Profiles 4. Summer 2011: 149-166.
- Steinberg, Peter K. "Proof of Plath." Fine Books & Collections 9:2. Spring 2011: 11-12.
- Steinberg, Peter K. "Textual Variations in The Bell Jar Publications." Plath Profiles 5. Summer 2012.
- Steinberg, Peter K. "Writing Life" [Introduction]. Sylvia Plath in Devon: A Year's Turning. Stroud, Eng.: Fonthill Media, 2014.
- "Banking on his passion for Plath" by Melissa Davis Haller. UMW Today. Spring 2005.
- "Sylvia Plath's Three Women to be staged in London" by Alison Flood. The Guardian. 3 December 2008.
- "FBI files on Sylvia Plath's father shed new light on poet" by Dalya Alberge. The Guardian. 17 August 2012.
- "There Are Almost No Obituaries for Sylvia Plath" by Ashley Fetters. The Atlantic. 11 February 2013.