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Publications

Books

The Prose of Sylvia Plath. Edited by Peter K. Steinberg. London: Faber and Faber, 2024.

The Collected Writings of Assia Wevill. Edited by Julie Goodspeed-Chadwick and Peter K. Steinberg. Baton Rouge: LSU Press, 2021.

The Letters of Sylvia Plath: Volume 2: 1956-1963. Edited by Peter K. Steinberg and Karen V. Kukil. London: Faber, 2019 (paperback).

The Letters of Sylvia Plath: Volume 1: 1940-1956. Edited by Peter K. Steinberg and Karen V. Kukil. London: Faber, 2019 (paperback).

The Letters of Sylvia Plath: Volume 2: 1956-1963. Edited by Peter K. Steinberg and Karen V. Kukil. London: Faber; New York: HarperCollins, 2018.

The Letters of Sylvia Plath: Volume 1: 1940-1956. Edited by Peter K. Steinberg and Karen V. Kukil. London: Faber; New York: HarperCollins, 2017.

These Ghostly Archives: The Unearthing of Sylvia Plath. Gail Crowther and Peter K. Steinberg. Stroud, Eng.: Fonthill Media, 2017.

Sylvia Plath. Great Writers series. Philadelphia: Chelsea House, 2004.





Introductions and Forewords

"Foreword." Breaking Down Plath. Patricia Grisafi. Hoboken, N.J.: Jossey-Bass, 2022.

"Introduction." Sylvia Plath in Devon: A Year's Turning. Elizabeth Sigmund and Gail Crowther. Stroud, Eng.: Fonthill Media, 2014.

"Introduction." The Spoken Word: Sylvia Plath. London: The British Library, 2010.


Selected articles

The Dream Come True (Faber website, 2024)

The Story Behind Sylvia Plath's Letters (Faber website, 2018)

"A fetish, somehow": A Sylvia Plath Bookmark (2017) 

These Ghostly Archives 5: Reanimating the Past (with Gail Crowther) (2013)

Textual Variations in The Bell Jar Publications (2012)

These Ghostly Archives 4: Looking for New England (with Gail Crowther) (2012) 

These Ghostly Archives 3 (with Gail Crowther) (2011) 

A Perfectly Beautiful Time: Sylvia Plath at Camp Helen Storrow (2011)

This is a Celebration: A Festschrift for The Unabridged Journals of Sylvia Plath (2010)

"They Had to Call and Call": The Search for Sylvia Plath (2010)

These Ghostly Archives, Redux (with Gail Crowther) (2010)

These Ghostly Archives (with Gail Crowther) (2009)

"I Should Be Loving This": Sylvia Plath's "The Perfect Place" and The Bell Jar (2008)

See more publications on A celebration, this is.


Interviews

"There Are Almost No Obituaries for Sylvia Plath" by Ashley Fetters. The Atlantic. 11 February 2013.

"FBI files on Sylvia Plath's father shed new light on poet" by Dalya Alberge. The Guardian. 17 August 2012.

"Sylvia Plath's Three Women to be staged in London" by Alison Flood. The Guardian. 3 December 2008.

"Banking on his passion for Plath" by Melissa Davis Haller. UMW Today. Spring 2005.

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Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove...
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Some final photographs of Sylvia Plath

Susan O'Neill-Roe took a series of photographs of Sylvia Plath and her children from October to late November (or maybe early December) 1962 while she was a day nanny/mother's help at Court Green. From nearby Belstone , it was a short drive to North Tawton and the aid she provided enabled Plath to complete the masterful October and November poems and also to make day or overnight trips to London for poetry business and other business.  Some of O'Neill-Roe's photographs are well-known.  However, a cache of photographs formed a part of the papers of failed biographer Harriet Rosenstein. They were sold separately from the rest of her papers that went to Emory. I was fortunate enough to see low resolution scans of them a while back so please note these are being posted today as mere reference quality images.  There are two series here. The first of the children with Plath dressed in red and black. (This should be referred to in the future, please, as Plath's  Stendhal-c...
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Sylvia Plath and McLean Hospital

In August when I was in the final preparations for the tour of Sylvia Plath The Bell Jar sites, I found that I had long been mistaken about a couple of things. This is my coming clean. It was my intention in this blog post to discuss just McLean, but I found myself deeply immersed in other aspects of Plath's recovery. The other thing I was mistaken about will be discussed in a separate blog post. I suppose I need to state from the outset that I am drawing conclusions from Plath's actual experiences from what she wrote in The Bell Jar and vice versa, taking information from the novel that is presently unconfirmed or murky and applying it to Plath's biography. There is enough in The Bell Jar , I think, based on real life to make these decisions. At the same time, I like to think that I know enough to distinguish where things are authentic and where details were clearly made up, slightly fudged, or out of chronological order. McLean Hospital was Plath's third and last...
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