Sylvia Plath Collections: Philip Hobsbaum papers

Gail Crowther and I recently teamed up for a These Ghostly Archives-inspired archival research trip and thought we would share it with you.

PKS: The University of Glasgow has some Sylvia Plath archival material. In October 2018, a blog post entitled Philip Hobsbaum (1932-2005): Ghosts in the archive – Sylvia Plath was published about the Philip Hobsbaum papers that are in the process of being catalogued.

GC: Philip Hobsbaum (1932 - 2005) was a teacher, poet, and critic, and a contemporary of Ted Hughes’ at Cambridge where they were both interested in the oral power of poetry. It was here that Hobsbaum worked as the editor of delta, a small poetry magazine published by the University of Cambridge throughout the 1950s and 60s. After moving to London in 1955, Hobsbaum was instrumental in setting up The Group which was a regular meeting for poets and writers to share ideas and work. In the 1950s and 60s much of literary London would attend The Group, including Ted Hughes, David Wevill, Assia Wevill, and Peter Redgrove. When PKS contacted me with the news that there were some Plath related papers in Hobsbaum’s archive in Glasgow, we felt it was worth exploring to see what was contained there.

PKS: The extent of the collection is three boxes, but it seems filled with plenty of Plath-related materials. The most interesting for us are the Plath typescripts of four poems: "Vanity Fair", "Black Rook in Rainy Weather", "The Snowman on the Moor", and "The Lady and the Earthenware Head". The poems were written between 28 October 1956 February 1957. The first poem has Plath's Whitstead address typed at the top right and the other three her Eltisley Avenue address. delta published Ted Hughes in 1955, and "Winter Words" by Plath in their Summer 1956 issue.

GC: Organising a trip to the University of Glasgow Library was fairly easy, mainly because the librarians and archivists were so friendly, helpful, and efficient. I arrived at the archive under a blackening Glasgow sky and took a lift to the twelfth floor. Entering the Reading Room I was immediately struck by the view from the floor to ceiling windows which looked out across the city and the campus. After a brief introductory talk about archive rules and data protection, I was settled at a desk and given three brown boxes to examine one at a time. Inside each box were several white thinner cardboard folders, each thematically organised, such as press cuttings, typescripts, letters etc. It became clear almost immediately that Hobsbaum had been impressed with Plath’s work during her lifetime and continued to take a serious interest after the publication of Ariel. He followed the subsequent biography controversies over the years, and Ted Hughes’ dealings with the press. He was also an enthusiastic teacher of Plath’s work and enjoyed discussing Plath with his students in Glasgow who he said every year ‘insisted’ he covered Plath in lectures and seminars. He had students who lived as far away as India coming to study Plath at Glasgow.

PKS: Hobsbaum appears to have been genuinely fond of Plath's work. While they are copies, the precious typescripts have been added to the Sylvia Plath Archival Documents Hub and it is worth noting that it was the first instance of a typescript of "Vanity Fair".* It is always interesting to me to see just what Plath's friends and acquaintances collected in the years and decades after her death. What we do not know is whether Plath posted these poems to Hobsbaum for considering in delta or if she perhaps met with Hobsbaum in Cambridge or in London. But given the addresses and dates of composition we can deduce that they were given to Hobsbaum in late winter or early Spring of 1957. Plath was in London just a couple of times that spring, most memorable for me in April when they were in the capital to accomplish business related to Ted Hughes traveling to the US in June (medical exams and Visa).

GC: One of the most interesting documents in the archive was a letter Hobsbaum wrote to Trevor Thomas thanking him for a copy of his memoir Last Encounters. Although this correspondence is one-sided, Hobsbaum shares his memories of meeting Plath and his love of teaching her work. He recalls knowing Ted Hughes at Cambridge who he describes as very rough-looking with a bad case of dandruff and greasy hair (though a fine poet ‘at that time’). He also remembers meeting Assia Wevill for the first time who he describes as the most beautiful woman he had ever seen. He ends his letter by describing Plath as a ‘legend’.

PKS: To read an acquaintance of Plath's refer to her with genuinely affection is a good thing; especially considering that some from the Cambridge period did not take to Plath (the person) very well. The Plath-related papers in Hobsbaum collection is small; however, the collection on the whole is massive and is undoubtedly is a valuable resource.

All links accessed 20 June and 4 September 2019.
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*I suspect a copy of the typescript is held by Smith College in the working papers for Plath's Collected Poems.

P.S. Interested in These Ghostly Archives: The Unearthing of Sylvia Plath? Please buy a copy!

Sylvia Plath's The Bell Jar (Faber Liberty Edition) & Ariel (Faber 90th Anniversary Edition)

Faber & Faber in London is set to publish today a "Liberty edition" of Sylvia Plath's novel The Bell Jar. Priced at £14.99.

I was recently told that the cover incorporates period fabric chosen from the Liberty Fabric archives. Fantastic!

Who can forget Plath's own reaction to Liberty's from her recently published Letters? For example she wrote to her mother a few weeks after settling in at 3 Chalcot Square: "Eye-shopped at Liberty’s the other day: oh, the teak furniture & copper, glass & steelware! So pacifying to see & feel beautiful things" (430).

Plath also purchased greeting cards from Liberty's as well as a scarf that she gave to her mother (now held by the Lilly Library). For an image of the scarf I refer you to David Trinidad's "Collecting Sylvia Plath" published on the Poetry Foundation website).

When I first saw the new cover for The Bell Jar I thought immediately of the 1971 limited edition Crystal Gazer and Other Poems, which was published by the Rainbow Press. Copies numbered 101-400 of the run were bound in quarter buckram with hand-made Japanese paper sides and issued with a slipcase.

The title is available from Faber & Faber directly, and also, as you might expect, from Amazon.co.uk.

Also issued today is Ariel: the Faber 90th Anniversary Edition. Also available from Faber's website and the other usual sellers.

All links accessed 30 May 2019.

Sylvia Plath Books: Autumn 2019

This fall a number of books by and about Sylvia Plath will be published.

First up, the books by Plath.

On 5 September, a gorgeous hardback "Liberty" edition of The Bell Jar will be issued. (Amazon.co.uk).

The same day, Faber will issue a 90th anniversary edition of Ariel (Amazon.co.uk). (This year, 2019, is the 90th anniversary of the firm.)

Two weeks later, on the 19th, both volumes of  The Letters of Sylvia Plath will be issued for the first time in paperback.

Blessedly the same covers as for the hardback.

Now. Your attention please.

HarperCollins is not releasing paperback editions of The Letters of Sylvia Plath. So if you want the new content, which will be the subject of a separate blog post on or about the 19th, then you will have to get the Faber edition. Book Depository ships internationally for free.

If you are interested in books about Sylvia Plath this fall is for you as there are two important books coming out.

Cambridge University Press published a collection of essays edited by Tracy Brain entitled Sylvia Plath in Context on 22 August 2019 (Amazon.co.uk).

The collection contains thirty-four essays in a range of "Contexts". I am happy to say that I have two pieces in it. The first, in "Literary Contexts" was developed from a talk I gave at the 2012 Plath conference at Indiana University and is called "'Sincerely yours': Plath and The New Yorker". The second is in "Biographical Contexts" and is called "Plath's scrapbooks" and was an essay I was desperate to write for more than a decade since I first handled her scrapbooks housed now at the Lilly Library. It was such an honor to finally get to do so and for it to be included in this remarkable volume. It was also a genuine privilege to have had this blog serve as a method to solicit chapter ideas a few years ago. And I appreciate Tracy's gracious words on that in the volume.

Next, on 9 October 2019, Louisiana State University Press will publish Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination by Julie Goodspeed-Chadwick (Amazon.com).

Julie's book is the first critical work on Assia Wevill and is groundbreaking. The book "reconsiders cultural representations of Assia Wevill (1927–1969), according her a more significant position than a femme fatale or scapegoat for marital discord and suicide in the lives and works of two major twentieth-century poets."

The last few years have been great for Sylvia Plath books and 2019 continues this trend.

All links accessed 30 July and 31 August 2019. Revised 2 September 2019.