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Showing posts from December, 2020

"Merciless churn": Sylvia Plath Year in Review 2020

2020 started off with an absolute Sylvia Plath bang with the news that Emory University purchased the Harriet Rosenstein papers related to Sylvia Plath. A few of us knew about it in late 2019, but when the collection would open for research was unclear. Well, they were opened up first thing . I hired Emily Banks, a graduate student at Emory, to take photographs of the papers. Throughout January and into very early February, Emily sent me daily files and it was kind of a mad flurry new information. It resulted in a streak of blog posts that I hope conveyed what it was like for me to read the files and try to process all the information. The best way to see these posts would be to look at the January and, respectively, February blog archives.  There are other blog posts in there, too. For example, I was privileged to join Janet Badia, Heather Clark, and Julie Goodspeed-Chadwick in Seattle for an MLA conference panel on Plath studies and Assia Wevill. It was great fun, though our panel

Amy C. Rea Reviews Heather Clark's Red Comet: The Short Life and Blazing Art of Sylvia Plath

Here’s a thing about me: I’m a voracious reader, but very rarely have a physically based emotional response to something I’m reading. I don’t laugh out loud, I don’t cry, both of which I do when watching movies. It’s not that I don’t find things funny or sad when I read, but apparently I need more of a visual cue. So it’s telling that when I got to the end of Dr. Heather Clark’s new biography of Sylvia Plath, Red Comet , I cried. It’s not as if I didn’t know how the story ended. But the level of detail and analysis Clark brings to her study of Plath is so detailed, and her examination of those brutal last weeks so deeply explored, that it broke my heart. Clark has done some tremendously important and much-needed work with this biography. It would be remiss of me not to note the aid she received from Peter K. Steinberg and the work he did compiling Plath’s Letters . Clark clearly spent a great deal of time studying these source materials, as well as others that were not available

Sylvia Plath's Ex-Libris at Yale

Yale University's Beinecke Library recently acquired four books from Sylvia Plath's library. Three of the books originated in that big March 2018 auction held by Bonhams . Two are by R.S. Thomas: Song at the Year's Turning (1960);  Tares (1961)  Both have birthday inscriptions by Ted Hughes from October 1961. Please note a presentation copy from R. S. Thomas to Plath and Hughes is held by Emory. The third is  The Poems of Gerard Manley Hopkins  (1949). Another book now at Yale, and likely from the auction, is About Sylvia produced by Enid Mark, Plath's former classmate at Smith College. The fourth book is  The Collected Poems of Dylan Thomas , formerly belonging to the late Elizabeth Sigmund. This book sold  via Bonhams auction in June 2019 . The winner was  Peter Harrington Rare Books in London , who flipped it to Yale. In sum, the Beinecke has a very strong collection of Sylvia Plath books. Each of these has been updated in Sylvia Plath's L

A View from Sylvia Plath's "Day of Success"

Sylvia Plath wrote her short story "Day of Success" sometime in 1961. Most likely between February and August. She was living at the time in 3 Chalcot Square (based on the address on a typescript held by Smith College), the building that later thirty-nine years later was awarded a special English Heritage Blue Plaque.  The seeds of the story had been fertilizing for some time as the story features a young married couple with a baby. The baby is six-months old. But it would be false, as I once did, to think that the story was composed circa October 1960 when Plath's daughter Frieda was that age. The story expertly merges events over several months, which is something Plath employed, also, in writing The Bell Jar . But it likely cannot have been written then because of a later scene in which Jacob Ross returns home very late from a business meeting with Denise Kaye to discuss a play of his. The even this may have been famously modeled from is the one where Ted Hughes return