24 November 2012

Did you know... Sylvia Plath and Bartholomew Fair

In the fall of 1955, in her first term as a graduate student at Newnham College, Cambridge University, Sylvia Plath played the role of Alice in Ben Jonson's Bartholomew Fair (1614), produced by the Amateur Dramatics Club in Cambridge from November 24-December 3, 1955.



Alice's role is "mistress o' the game." The role has just a five lines (and a fight!). Did you know … what those lines were?

They were:


  • "A mischiefe on you, they are such as you are, that undo us, and take our trade from us, with your tuft-taffata haunches.";
  • "The poore common whores can ha'no traffic, for the privy rich ones; your caps and hoods of velvet call away our customers, and lick the fat from us.";
  • "Od's foot, you Bawd in grease, are you talking?";
  • "Thou Sow of Smithfield, thou!";
  • "Ay, by the same token, you rid that week, and broke out of the bottom o'the Cart, Night-tub."

    (source, with some "corrections" made; I should add this source was not necessarily the script from which Plath read)


Plath originally got no part in the production, saying in a letter to her mother written on November 7, 1955, that "Acting simply takes up too much time. I was really glad I didn't get a part in the coming production of Bartholomew Fair (although, of course, it injured my ego slightly..." (Letters Home 194).

But, by November 21, 1955, Plath had been given a role. She writes to her mother, "I have five lines as a rather screaming bawdy woman who gets into a fight" (196).

Perhaps the fight served as training for February 25, 1956!?

Postscript: Prior to her role as Alice in Bartholomew Fair, Plath performed as the mad poetess Phoebe Clinkett from Three Hours After Marriage written by Alexander Pope. John Gay, and John Arbuthnot (1717) (read it here). This was one of three "nursery" productions the ADC produced on 22 October 1955 (the same day that Plath saw Queen Elizabeth II and the Duke of Edinburgh in Cambridge).

2 comments :

Julia Gordon-Bramer said...

Thank you for these! I had of course read of the productions and her roles in them, but did not know the work to even begin to imagine her lines. You have brought me closer to it. :-)

Peter K Steinberg said...

Thank you for the comment Julia! Glad that I could bring you closer to it!

pks

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Publications & Acknowledgements

  • BBC Four.A Poet's Guide to Britain: Sylvia Plath. London: BBC Four, 2009. (Acknowledged in)
  • Biography: Sylvia Plath. New York: A & E Television Networks, 2005. (Photographs used)
  • Connell, Elaine. Sylvia Plath: Killing the angel in the house. 2d ed. Hebden Bridge: Pennine Pens, 1998. (Acknowledged in)
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives." Plath Profiles 2. Summer 2009: 183-208.
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives, Redux." Plath Profiles 3. Summer 2010: 232-246.
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 3." Plath Profiles 4. Summer 2011: 119-138.
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 4: Looking for New England." Plath Profiles 5. Summer 2012: 11-56.
  • Crowther, Gail and Peter K. Steinberg. "These Ghostly Archives 5: Reanimating the Past." Plath Profiles 6. Summer 2013: 27-62.
  • Crowther, Gail and Peter K. Steinberg. These Ghostly Archives: The Unearthing of Sylvia Plath. Oxford: Fonthill, 2017. Forthcoming.
  • Death Be Not Proud: The Graves of Poets. New York: Poets.org. (Photographs used)
  • Doel, Irralie, Lena Friesen and Peter K. Steinberg. "An Unacknowledged Publication by Sylvia Plath." Notes & Queries 56:3. September 2009: 428-430.
  • Gill, Jo. "Sylvia Plath in the South West." University of Exeter Centre for South West Writing, 2008. (Photograph used)
  • Elements of Literature, Third Course. Austin, Tex. : Holt, Rinehart and Winston, 2009. (Photograph used)
  • Helle, Anita Plath. The Unraveling Archive: Essays on Sylvia Plath. Ann Arbor: University of Michigan Press, 2007. (Photographs used, acknowledged in)
  • Helle, Anita. "Lessons from the Archive: Sylvia Plath and the Politics of Memory". Feminist Studies 31:3. Fall 2005: 631-652.. (Acknowledged in)
  • Holden, Constance. "Sad Poets' Society." Science Magazine. 27 July 2008. (Photograph used)
  • Making Trouble: Three Generations of Funny Jewish Women, Motion Picture. Directed by Rachel Talbot. Brookline (Mass.): Jewish Women's Archive, 2007. (Photograph used)
  • Plath, Sylvia, and Karen V. Kukil. The Unabridged Journals of Sylvia Plath, 1950-1962. New York: Anchor Books, 2000. (Acknowledged in)
  • Plath, Sylvia, and Peter K. Steinberg and Karen V. Kukil (eds.). The Letters of Sylvia Plath. London: Faber, 2017. Forthcoming.
  • Plath, Sylvia. Glassklokken. Oslo: De norske Bokklubbene, 2004. (Photograph used on cover)
  • Reiff, Raychel Haugrud. Sylvia Plath: The Bell Jar and Poems (Writers and Their Works). Marshall Cavendish Children's Books, 2008.. (Images provided)
  • Steinberg, Peter K. Sylvia Plath (Great Writers). Philadelphia: Chelsea House Publishers, 2004.
  • Steinberg, Peter K. "'I Should Be Loving This': Sylvia Plath's 'The Perfect Place' and The Bell Jar." Plath Profiles 1. Summer 2008: 253-262.
  • Steinberg, Peter K. "Sylvia Plath." The Spoken Word: Sylvia Plath. London: British Library, 2010.
  • Steinberg, Peter K. "'They Had to Call and Call': The Search for Sylvia Plath." Plath Profiles 3. Summer 2010: 106-132.
  • Steinberg, Peter K. "This is a Celebration: A Festschrift for The Unabridged Journals of Sylvia Plath." Plath Profiles 3 Supplement. Fall 2010: 3-14.
  • Steinberg, Peter K. "A Perfectly Beautiful Time: Sylvia Plath at Camp Helen Storrow." Plath Profiles 4. Summer 2011: 149-166.
  • Steinberg, Peter K. "Proof of Plath." Fine Books & Collections 9:2. Spring 2011: 11-12.
  • Steinberg, Peter K. "Textual Variations in The Bell Jar Publications." Plath Profiles 5. Summer 2012.
  • Steinberg, Peter K. "Writing Life" [Introduction]. Sylvia Plath in Devon: A Year's Turning. Stroud, Eng.: Fonthill Media, 2014.

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