Skip to main content

Sylvia Plath in Benidorm

Sylvia Plath and Ted Hughes traveled to the end of Spain for their honeymoon in the summer of 1956. After getting married, they went from London to Cambridge to London to Paris to Madrid, where they rested before moving on to Alicante and, ultimately, Benidorm. They left Spain via Barcelona on 22 August 1956, stayed in Paris for about a week, and returned to England on 29 August 1956. In all she had been one the continent for more than two months.

This post is about Plath's time in Benidorm and was inspired by Gail Crowther's finding and sending me the following two videos in April: Benidorm in Color, 1950s and Antique photographs of Benidorm. These, in congruence with a long paper on Plath's time Benidorm "De quan Sylvia Plath va vindre a Benidorm" by Pasqual Almiñana Orozco, were positively revelatory in my understanding more clearly than ever Plath's time there.

Of course, one cannot consider Plath's time in Benidorm, also, without use of the rich record of documents from her time there: her letters, journals, personal pocket calendars, artwork, poetry, and fiction. As well, one should consider what Ted Hughes wrote in his own letters and in poems such as "You Hated Spain", "Moonwalk", "Drawing" and others. It is possible to read and observe output in each of these mediums and gain much insight into her time there. Benidorm itself has changed so dramatically since 1956 that some might say it would be impossible to trace Plath. However, the videos linked above, which I hope still work, capture the Spanish fishing town as a very undeveloped and sleepy village, seemingly sparsely populated, and very much as Plath herself saw it, lived in in, and documented it.

In viewing the videos in April, I took screenshots of various scenes that, either from my memory or via research conducted in the interim, evoked Plath's works. I will try to give accurate information to each screenshot to help to contextualize it. Plath's journals were the starting point for placing the scenes in the films, in particular, journal entries from 15 July and 18 August 1956 (Appendix 10).

15 July 1956
"Widow Mangada's house: pale, peach-brown stucco on the main Avenida running along shore, facing the beach of reddish yellow sand with all the gaily painted cabanas making a maze of bright blue wooden stilts and small square patches of shadow."
Plath's 15 July 1956 journal entry is so close to her short story "That Widow Mangada" that it seems like the entry might have been notes or a draft of the story. Plath herself knew that the widow's name wasn't "Mangada", for on two letters held by the Lilly Library she lists her return address as being in care of "Enriqueta Luhoz Ortiz". However, according to Plath's pocket calendar, the idea for the story did not come to her until 3 August 1956, well after they had left this abode facing the ocean for another house just up from the center of the town. Perhaps Mangada was a nickname she, Ortiz, gave to herself? It does not appear to be a Spanish word, though "Manga" means "sleeves" and "da" means "gives". Perhaps it's "That Widow Gives Sleeves"?

In the images below, I've drawn arrows to the the house that I believe was Widow Mangada's based on Plath's descriptions and information contained in the paper by Orozco linked above. By the way, if anyone is brave enough to try to translate document into English I will send them something in gratitude.



"Out in the middle of the bay juts a rock island, slanting up from the horizon line to form a sloped triangle of orange rock..." Not much else to say about the blow image: Plath nailed it.


18 August 1956
"The houses of Benidorm cluster along the top of a rocky headland jutting out into the bay." By the time Plath wrote this on 18 August 1956, she and Hughes were living at 59 Tomas Ortunio. They enjoyed their time there as they had an entire house to themselves and were very self-sufficient.  The subsequent quotes say pretty much all there is to say about the images captured in the films.




"The blurred words "Hotel Planesia" are printed in faded black letters on the long windowless side of the building."


"Below the buildings of the hotel, a staircase cut in rock zigzags down to the beach..."



"...the fluted blue dome of the Castillo..."



Sylvia Plath: Drawings features the houses clustered on the rocky headland (p. 37) and Carrero del Gats (p. 38), both of which appear in the film. Plath also drew the sardine boats and their very distinctive lights (p. 35; published first in the Christian Science Monitor). Seeing the boats and lights in the film and then looking at Plath's drawing was a very awesome experience and I hope that you feel the same way.

Carrero del Gats (these images include some map and other views, as well as those taken from the videos):






Sardine Boats:



How do you feel about seeing these long, gone places and scenes captured contemporaneously, in color, to Plath's time in Benidorm? It fairly blew my mind. Thanks thanks thanks to Gail for finding these on YouTube and for sending them to me (us).

If you benefited from this post or any content on the Sylvia Plath Info Blog, my website for Sylvia Plath (A celebration, this is), and @sylviaplathinfo on Twitter, then please consider sending me a tip via PayPal. Thank you for at least considering! All funds will be put towards my Sylvia Plath research.

All linked accessed 29 April and 8 August 2016

Popular posts from this blog

Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove...

Sylvia Plath's Gravestone Vandalized

The following news story appeared online this morning: HEPTONSTALL, ENGLAND (APFS) - The small village of Heptonstall is once again in the news because of the grave site of American poet Sylvia Plath. The headstone controversy rose to a fever pitch in 1989 when Plath's grave was left unmarked for a long period of time after vandals repeatedly chiseled her married surname Hughes off the stone marker. Author Nick Hornby commented, "I like Plath, but the controversy reaching its fever pitch in the 80s had nothing to do with my book title choice." Today, however, it was discovered that the grave was defaced but in quite an unlikely fashion. This time, Plath's headstone has had slashed-off her maiden name "Plath," so the stone now reads "Sylvia Hughes." A statement posted on Twitter from @masculinistsfortedhughes (Masculinists for Ted Hughes) has claimed responsibility saying that, "We did this because as Ted Hughes' first wife, Sylvia de...

Sylvia Plath and McLean Hospital

In August when I was in the final preparations for the tour of Sylvia Plath The Bell Jar sites, I found that I had long been mistaken about a couple of things. This is my coming clean. It was my intention in this blog post to discuss just McLean, but I found myself deeply immersed in other aspects of Plath's recovery. The other thing I was mistaken about will be discussed in a separate blog post. I suppose I need to state from the outset that I am drawing conclusions from Plath's actual experiences from what she wrote in The Bell Jar and vice versa, taking information from the novel that is presently unconfirmed or murky and applying it to Plath's biography. There is enough in The Bell Jar , I think, based on real life to make these decisions. At the same time, I like to think that I know enough to distinguish where things are authentic and where details were clearly made up, slightly fudged, or out of chronological order. McLean Hospital was Plath's third and last...