Within six weeks of Sylvia Plath's death, Ted Hughes gave Heinemann permission to disclose Plath's identity as the author of The Bell Jar. Naturally Plath's identity as the author wasn't completely anonymous: in certain circles, it was quite known that she was the author of the novel.
When the Heinemann Contemporary Fiction edition was published in September 1964, the author, however, was still listed as Victoria Lucas. The back of the dustwrapper states that the author's name is a pseudonym and that they weren't at liberty to disclose the identity.
Now, this contradicts my first sentence, but this is just the way it goes sometimes...
Plath's name was not on the title page of The Bell Jar for another two years, when Faber brought out their first edition of the novel on 1 September 1966. The Heinemann, Contemporary Fiction and Faber editions of The Bell Jar can be seen here; they are the first three in the first row.
Did you know... On March 11, 1965, 45 years ago today, it was officially published that Plath was the author of The Bell Jar? It was on this day that Faber published Ariel.
In the front matter, on verso of the half-title page where Plath's previous books are listed, two books are present (see image to the left). The first, a poetry collection, The Colossus. The title under the Fiction heading is The Bell Jar with the author given "(as Victoria Lucas)". This is the first time the novel appeared in print with the author's true identity stated and came a year and a half before Faber's publication of The Bell Jar.
For those curious, the first edition of Ariel published in the United States by Harper & Row in 1966 does not similarly list The Bell Jar. Odd? Probably not given Plath's own wish that the novel not be published in America (a sentiment she and her mother shared). However, it is odd when one considers the following:
Plath's award of the Saxton Grant for a novel appeared in The New York Times on November 21, 1961. While the title and subject weren't mentioned, those interested in Plath might have made a mental note to keep on the lookout.
Plath & Heinemann did actively market the novel to her American publisher Alfred Knopf. After a lot of discussion and consideration Knopf passed on it. These letters are held with the Knopf papers at the University of Texas at Austin.
And, Plath's authoring the novel was discussed in "Poetry of Bay Stater Disturbs London Critics", an article about Ariel by Brenda Maddox which ran on June 5, 1965, in the Worcester Telegram. It is likely this article was syndicated in other newspapers around this time. Yet, it may just be the first to publicly tie the novel and the author together in her home state and country.
When the Heinemann Contemporary Fiction edition was published in September 1964, the author, however, was still listed as Victoria Lucas. The back of the dustwrapper states that the author's name is a pseudonym and that they weren't at liberty to disclose the identity.
Now, this contradicts my first sentence, but this is just the way it goes sometimes...
Plath's name was not on the title page of The Bell Jar for another two years, when Faber brought out their first edition of the novel on 1 September 1966. The Heinemann, Contemporary Fiction and Faber editions of The Bell Jar can be seen here; they are the first three in the first row.
Did you know... On March 11, 1965, 45 years ago today, it was officially published that Plath was the author of The Bell Jar? It was on this day that Faber published Ariel.
In the front matter, on verso of the half-title page where Plath's previous books are listed, two books are present (see image to the left). The first, a poetry collection, The Colossus. The title under the Fiction heading is The Bell Jar with the author given "(as Victoria Lucas)". This is the first time the novel appeared in print with the author's true identity stated and came a year and a half before Faber's publication of The Bell Jar.For those curious, the first edition of Ariel published in the United States by Harper & Row in 1966 does not similarly list The Bell Jar. Odd? Probably not given Plath's own wish that the novel not be published in America (a sentiment she and her mother shared). However, it is odd when one considers the following:
Plath's award of the Saxton Grant for a novel appeared in The New York Times on November 21, 1961. While the title and subject weren't mentioned, those interested in Plath might have made a mental note to keep on the lookout.
Plath & Heinemann did actively market the novel to her American publisher Alfred Knopf. After a lot of discussion and consideration Knopf passed on it. These letters are held with the Knopf papers at the University of Texas at Austin.
And, Plath's authoring the novel was discussed in "Poetry of Bay Stater Disturbs London Critics", an article about Ariel by Brenda Maddox which ran on June 5, 1965, in the Worcester Telegram. It is likely this article was syndicated in other newspapers around this time. Yet, it may just be the first to publicly tie the novel and the author together in her home state and country.