Skip to main content

Sylvia Plath collections: Letters to Assia Wevill, 1955-1970

Emory University made news in 1998 when it purchased the papers of Ted Hughes. Since that time, only one accretion made the headlines. On 8 January 2007, Emory announced the acquisition of letters from Ted Hughes to Assia Wevill in this press release.

Many archives acquire important letters and those letters go straight to the back of the queue. However, the Manuscripts, Archives, and Rare Books Library processed this collection quickly. Lucky for us! One of the letters from Ted to Assia's sister Cecilia Chaikin, deals with the return of some stolen Plath manuscripts. I wonder if these are listed and which archive they reside in now?

Letters to Assia Wevill, 1955-1970

The collection contains letters, manuscripts, poems, drawings, photographs, and miscellaneous documents relating to Ted Hughes and Assia Wevill. Included are 61 letters from Hughes to Wevill; included with the letters are drafts for a series of poems on playing cards and a "Draft Constitution," which appears to be an agreement between Ted and Assia concerning her responsibilities towards his children, her household duties, and general behavior. The collection also includes six letters from Assia Wevill to Ted Hughes; one early (1955) letter from Wevill to her sister, Cecilia Chaikin; and three letters from Ted Hughes to Chaikin written after Assia's death. The first two deal with his response to Assia's suicide, while the third responds to Celia's offer to return a number of Plath's manuscripts, which had been sent to her by Assia. Finally, the correspondence contains two letters from David Wevill to Assia, and one letter from Assia to him.

The remainder of the collection consists of a number of manuscript and typescript drafts of Hughes's poems; eight miscellaneous pieces of notes and letters by Assia, addressed obliquely to Hughes; and a number of photographs of Assia Wevill, both alone and with Hughes, Shura, Frieda, and Nicholas. One of the typescripts, which bears the title "For Aya," represents a preliminary version, in four parts, of the longer sequence of poems published as "The New World", while another poem, "Little Blood," contains an extra stanza omitted in publication. Other typescripts include variant titles, and one bears additional manuscript material on its reverse side. Two of the poems, "Crow Outlawed" and "Carrion Tiresias Examines the Sacrifice," appear to be unpublished.

The collection is held in one box. The full finding aid to this collection is online here.

If anyone out there has worked with these letters, we'd all be curious to know your impressions.
New information about Assia Wevill, Ted Hughes, and Plath, please see Eilat Negev and Yehuda Koren's remarkable biography, A lover of unreason: Assia Wevill, Sylvia Plath's rival and Ted Hughes' doomed love, available at fine book stores worldwide, online, and through libraries.

Photograph of Assia Wevill above from Emory's web site.

Popular posts from this blog

Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove...

Sylvia Plath's Gravestone Vandalized

The following news story appeared online this morning: HEPTONSTALL, ENGLAND (APFS) - The small village of Heptonstall is once again in the news because of the grave site of American poet Sylvia Plath. The headstone controversy rose to a fever pitch in 1989 when Plath's grave was left unmarked for a long period of time after vandals repeatedly chiseled her married surname Hughes off the stone marker. Author Nick Hornby commented, "I like Plath, but the controversy reaching its fever pitch in the 80s had nothing to do with my book title choice." Today, however, it was discovered that the grave was defaced but in quite an unlikely fashion. This time, Plath's headstone has had slashed-off her maiden name "Plath," so the stone now reads "Sylvia Hughes." A statement posted on Twitter from @masculinistsfortedhughes (Masculinists for Ted Hughes) has claimed responsibility saying that, "We did this because as Ted Hughes' first wife, Sylvia de...

Sylvia Plath and McLean Hospital

In August when I was in the final preparations for the tour of Sylvia Plath The Bell Jar sites, I found that I had long been mistaken about a couple of things. This is my coming clean. It was my intention in this blog post to discuss just McLean, but I found myself deeply immersed in other aspects of Plath's recovery. The other thing I was mistaken about will be discussed in a separate blog post. I suppose I need to state from the outset that I am drawing conclusions from Plath's actual experiences from what she wrote in The Bell Jar and vice versa, taking information from the novel that is presently unconfirmed or murky and applying it to Plath's biography. There is enough in The Bell Jar , I think, based on real life to make these decisions. At the same time, I like to think that I know enough to distinguish where things are authentic and where details were clearly made up, slightly fudged, or out of chronological order. McLean Hospital was Plath's third and last...