Skip to main content

Sylvia Plath collections: Atlantic Monthly Magazine records, 1969-1974

The Massachusetts Historical Society holds the Atlantic Monthly records, 1969-1974. Of course the Atlantic has been around a long time, but these records relate to the editorship of Robert Manning. The collection includes correspondence with and records that relate to 3,200 authors. The records are stored offsite, so advance notice is required if anyone seeks to consult these records. The finding aid is online here.

There is correspondence between Olwyn Hughes and the editors at the Atlantic relating to publishing some of Sylvia Plath's and Ted Hughes's poems. These can be found in carton 9.

There are two letters from February and two from May.

1) From: Olwyn Hughes, To: Robert Manning, 2 February 1970.
This letter discusses Olwyn's assembling two volumes of Plath's uncollected poetry. She offers the following Plath poems: "Last Words," "The Tour," "Submerged", and "Gigolo" as well as six Crow poems by Ted Hughes. The year of composition - 1961, 1962, 1962, and 1963, respectively - is listed next to each poem.

2) From: Robert Manning, To: Olwyn Hughes, 24 February 1970.
Rejects all the poems by both Plath and Hughes.

3) From: Olwyn Hughes, To: Peter Davison, 4 May 1970.
Sending Davison Hughes's poem "Fighting for Jerusalem".

4) From: Peter Davison, To: Olwyn Hughes, 15 May 1970.
Rejecting poem by Hughes.

Accompanying each set of letters are editorial responses to the poems submitted. There was an overwhelming dislike of the Hughes poems, including one editor saying, "The Hughes stuff, if I understand it, offers us Crow as Everyman. A damn silly idea."

The general consensus on the Plath poems submitted in February was that they all appeared "unfinished." The reviewers each liked "Last Words" and "The Tour", and found the poem "Submerged" to be "unclear, for all its ominous message, sensuous images."

Has anyone out there ever heard of a Plath poem entitled "Submerged", purportedly written in 1962? The other poems appeared throughout 1970 in periodicals, and also appeared in either Crossing the Water (1971) or Winter Trees (1971/2).

Could "Submerged" be a variant/rejected title of an Ariel poem? Not according to a review of the drafts Ariel poems housed at Smith College. One 1962 poem published around this time is "Fearful". However, it is not out of the question that there are other poems Plath wrote in 1962 that have been suppressed?

Comments

Popular posts from this blog

Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove...

Some final photographs of Sylvia Plath

Susan O'Neill-Roe took a series of photographs of Sylvia Plath and her children from October to late November (or maybe early December) 1962 while she was a day nanny/mother's help at Court Green. From nearby Belstone , it was a short drive to North Tawton and the aid she provided enabled Plath to complete the masterful October and November poems and also to make day or overnight trips to London for poetry business and other business.  Some of O'Neill-Roe's photographs are well-known.  However, a cache of photographs formed a part of the papers of failed biographer Harriet Rosenstein. They were sold separately from the rest of her papers that went to Emory. I was fortunate enough to see low resolution scans of them a while back so please note these are being posted today as mere reference quality images.  There are two series here. The first of the children with Plath dressed in red and black. (This should be referred to in the future, please, as Plath's  Stendhal-c...

Sylvia Plath's Gravestone Vandalized

The following news story appeared online this morning: HEPTONSTALL, ENGLAND (APFS) - The small village of Heptonstall is once again in the news because of the grave site of American poet Sylvia Plath. The headstone controversy rose to a fever pitch in 1989 when Plath's grave was left unmarked for a long period of time after vandals repeatedly chiseled her married surname Hughes off the stone marker. Author Nick Hornby commented, "I like Plath, but the controversy reaching its fever pitch in the 80s had nothing to do with my book title choice." Today, however, it was discovered that the grave was defaced but in quite an unlikely fashion. This time, Plath's headstone has had slashed-off her maiden name "Plath," so the stone now reads "Sylvia Hughes." A statement posted on Twitter from @masculinistsfortedhughes (Masculinists for Ted Hughes) has claimed responsibility saying that, "We did this because as Ted Hughes' first wife, Sylvia de...