New Articles on Sylvia Plath

Just found out about the following two articles published in 2010.

Wootten, William. "'The Alchemical Power': The Literary Relationship of A. Alvarez and Sylvia Plath.” The Cambridge Quarterly 39:3. 2010: 217-236.

Meyers, Jeffrey. “Sylvia Plath’s Mysterious Lover.” Yale Review 98:4. October 2010: 88-102.

This appears to be Wootten’s first foray into Plath; while Meyers has previously published, at least, the following two articles:

Meyers, Jeffrey. "Literary Allusions in Sylvia Plath's Journals." Notes on Contemporary Literature 32:1. Spring 2002: 9-11.

Meyers, Jeffrey. "Sylvia Plath: The Paintings in the Poems." Word & Image 20:2. April-June 2004: 107-122.

Meyers also gave Plath a little coverage in his Manic Power: Robert Lowell and His Circle (New York: Arbor House, 1987).

Also in the news yesterday from the Telegraph is “The language that lovers share is a 'window' into the state of their relationship” by Richard Alleyne. This was also picked up at least by the Daily Mail in their “Soundalike sweethearts: How perfectly matched couples mimic the way each other speak.” Thanks to Kristina Z for the Telegraph link above.

Today, both "Three Women" and "Wish I Had a Sylvia Plath" open in New York at the 59E59 theater. Are you going?

Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove

Sylvia Plath's Gravestone Vandalized

The following news story appeared online this morning: HEPTONSTALL, ENGLAND (APFS) - The small village of Heptonstall is once again in the news because of the grave site of American poet Sylvia Plath. The headstone controversy rose to a fever pitch in 1989 when Plath's grave was left unmarked for a long period of time after vandals repeatedly chiseled her married surname Hughes off the stone marker. Author Nick Hornby commented, "I like Plath, but the controversy reaching its fever pitch in the 80s had nothing to do with my book title choice." Today, however, it was discovered that the grave was defaced but in quite an unlikely fashion. This time, Plath's headstone has had slashed-off her maiden name "Plath," so the stone now reads "Sylvia Hughes." A statement posted on Twitter from @masculinistsfortedhughes (Masculinists for Ted Hughes) has claimed responsibility saying that, "We did this because as Ted Hughes' first wife, Sylvia de

Sylvia Plath and McLean Hospital

In August when I was in the final preparations for the tour of Sylvia Plath The Bell Jar sites, I found that I had long been mistaken about a couple of things. This is my coming clean. It was my intention in this blog post to discuss just McLean, but I found myself deeply immersed in other aspects of Plath's recovery. The other thing I was mistaken about will be discussed in a separate blog post. I suppose I need to state from the outset that I am drawing conclusions from Plath's actual experiences from what she wrote in The Bell Jar and vice versa, taking information from the novel that is presently unconfirmed or murky and applying it to Plath's biography. There is enough in The Bell Jar , I think, based on real life to make these decisions. At the same time, I like to think that I know enough to distinguish where things are authentic and where details were clearly made up, slightly fudged, or out of chronological order. McLean Hospital was Plath's third and last

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