New Book of Essays on Sylvia Plath to be Published Soon

Scheduled to be published in May 2013 by Salem Press is Critical Insights: Sylvia Plath, edited by Plath Profiles founder William K. Buckley. Here's the information from Salem's website that you may want to know:

ISBN: 978-1-4298-3833-7, Print List Price: $85, e-ISBN: 978-1-4298-3849-8, eBook Single User Price: $85, May 2013, 300 pages, 6"x9". Includes Online Database with Print Purchase

"Outstanding, in-depth scholarship by renowned literary critics; great starting point for students seeking an introduction to Plath and the critical discussions surrounding her work.

"Talented from the very beginning of her life, Sylvia Plath published her first poem at the age of eight in the "children’s section" of the Boston Herald. She said of her childhood: "I want to work at putting together the complex mosaic of my childhood; to practice capturing feelings and experiences from the nebulous seething of memory and yank them out into black-and-white on the typewriter." Plath won several major prizes in writing and scholarship and her poems are considered today to be the most famous by an American female poet of the 20th Century, especially those in her 1965 collection Ariel. In 1981, Plath’s Collected Poems was awarded the Pulitzer Prize for poetry, the first American poet to win this prize after death.

"Edited by William Buckley, this volume in the Critical Insights series presents a variety of new essays on the unconventional American poet. This work will introduce Sylvia Plath to high school and college classrooms. Such introductions are usually conventional: biography, summary of works, and the author’s "place" in the history of American literature. This title provides such information. Yet, there is nothing "conventional" about Sylvia Plath. She is a unique, rare, rebellious and unexpected voice in American literature.

"Rounding out the volume are a chronology of Plath's life and a list of her principle publications as well as a bibliography for readers seeking to study this fascinating poet in greater depth.

"Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources:

"A chronology of the author's life, A complete list of the author's works and their original dates of publication, A general bibliography, A detailed paragraph on the volume's editor, Notes on the individual chapter authors, A subject index."

I am not sure of all the contributor's to the book, but can say that three of the contributors are Gail Crowther, Jess McCort, and myself.

Congratulations Bill and all the contributors.

UPDATE: 16 APRIL 2013: You can view the Table of Contents here.

Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove...

Some final photographs of Sylvia Plath

Susan O'Neill-Roe took a series of photographs of Sylvia Plath and her children from October to late November (or maybe early December) 1962 while she was a day nanny/mother's help at Court Green. From nearby Belstone , it was a short drive to North Tawton and the aid she provided enabled Plath to complete the masterful October and November poems and also to make day or overnight trips to London for poetry business and other business. Some of O'Neill-Roe's photographs are well-known. However, a cache of photographs formed a part of the papers of failed biographer Harriet Rosenstein. They were sold separately from the rest of her papers that went to Emory. I was fortunate enough to see low resolution scans of them a while back so please note these are being posted today as mere reference quality images. There are two series here. The first of the children with Plath dressed in red and black. (This should be referred to in the future, please, as Plath's Stendhal-c...

Sylvia Plath and McLean Hospital

In August when I was in the final preparations for the tour of Sylvia Plath The Bell Jar sites, I found that I had long been mistaken about a couple of things. This is my coming clean. It was my intention in this blog post to discuss just McLean, but I found myself deeply immersed in other aspects of Plath's recovery. The other thing I was mistaken about will be discussed in a separate blog post. I suppose I need to state from the outset that I am drawing conclusions from Plath's actual experiences from what she wrote in The Bell Jar and vice versa, taking information from the novel that is presently unconfirmed or murky and applying it to Plath's biography. There is enough in The Bell Jar , I think, based on real life to make these decisions. At the same time, I like to think that I know enough to distinguish where things are authentic and where details were clearly made up, slightly fudged, or out of chronological order. McLean Hospital was Plath's third and last...

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