Skip to main content

Sylvia Plath collections: Cleverdon mss II

Douglas Cleverdon in 1963
The Lilly Library holds the "Cleverdon mss II, 1926-1988". Within this collection (see the finding aid) are several Sylvia Plath related items. There are Sylvia Plath related items in the series "Writings by Others," Correspondence, BBC Registry, Program notes, and an audiotape containing "Lady Lazarus" and "Daddy" (see Box 7).

In the Scripts subseries, there are transcripts of "Three Women" as broadcast on August 19, 1962, and the poem "Crossing the Water" with commentary by Ted Hughes as broadcast on July 5, 1971.

In the correspondence series there are letters to or from Olwyn Hughes and Ted Hughes. Per an archivist at the Lilly, there are two letters from Olwyn Hughes, only one of which discusses Plath. The letter that discusses Plath is from 28 May 1971 and lists poems Ted Hughes prefers for Crossing the Water.

The correspondence with Ted Hughes, however, does not mention Plath beyond Cleverdon himself telling Hughes to give Plath his regards. This obviously dates some of the letters to before 11 February 1963.

I browsed through parts this collection during the Sylvia Plath Symposium last year and found Plath related material in boxes 7 and 8, and found many references to Plath. Some of the more interesting materials are lists of Plath's correspondence with BBC staff that includes small summaries of each letter's contents. This shows them taking stock of what they had at some point after Plath's life ended. It might have been these were retiring the letters from an active file to an inactive file, or preparing them for transfer to the Written Archives Centre. One does not necessarily know. The letters are all now held by the BBC Written Archives Center (and these were discussed in my paper with Gail Crowther, "These Ghostly Archives").

There are copies of internal communications regarding Plath's works from when she was living. Included among these are thoughts about "Three Women" from May 1962; production memorandums and other official BBC Radio documents regarding acceptance of the verse poem and payment for it; broadcast typescripts of the poem; audience research feedback regarding the airing of "Three Women" in August 1962 as well as its re-broadcast in August 1968; and notes by Cleverdon as he wrote his introduction to the poem (published in the limited edition version of "Three Women" from 1968 (see a cover image here) and in 1970's The Art of Sylvia Plath).

The Ave Maria.
Other interesting items I found in Cleverdon mss II include a typescript poem by Richard Murphy entitled "For Sylvia Plath / (1932-1963)". In eight, three-lined stanzas, Murphy's memorial poem remembers Plath's visit with Hughes in September 1962 to Coole Park, the Yew tree near where Murphy was born, the excursion on Murphy's boat, the Ave Maria, where he remembers Plath stood like a figurehead. But, now dead her words (truths) are created from a cemetery, while those still living stand around guiltily. Terrible paraphrase, but what can one do?

The Cleverdon mss II papers include a transcript of the Peter Orr/British Council interview with Plath from 30 October 1962. There are notes and memos about A. Alvarez's program on Plath that aired in the summer of 1963 (the text of which was printed in the October 1963 issue of The Review (see image of this cover here; and please note that the archives of The Review, which are held by the Rare Books and Special Collections at Northern Illinois University, were discussed by Gina Hodnik in "Early Public Representations of Sylvia Plath: An Analysis of the Sylvia Plath issue of The Review").

You can see more libraries that hold Plath materials on the Archival Materials page of my website for Sylvia Plath, A celebration, this is.

All links accessed 25 September 2013.

Popular posts from this blog

Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove...

Sylvia Plath's Gravestone Vandalized

The following news story appeared online this morning: HEPTONSTALL, ENGLAND (APFS) - The small village of Heptonstall is once again in the news because of the grave site of American poet Sylvia Plath. The headstone controversy rose to a fever pitch in 1989 when Plath's grave was left unmarked for a long period of time after vandals repeatedly chiseled her married surname Hughes off the stone marker. Author Nick Hornby commented, "I like Plath, but the controversy reaching its fever pitch in the 80s had nothing to do with my book title choice." Today, however, it was discovered that the grave was defaced but in quite an unlikely fashion. This time, Plath's headstone has had slashed-off her maiden name "Plath," so the stone now reads "Sylvia Hughes." A statement posted on Twitter from @masculinistsfortedhughes (Masculinists for Ted Hughes) has claimed responsibility saying that, "We did this because as Ted Hughes' first wife, Sylvia de...

Sylvia Plath and McLean Hospital

In August when I was in the final preparations for the tour of Sylvia Plath The Bell Jar sites, I found that I had long been mistaken about a couple of things. This is my coming clean. It was my intention in this blog post to discuss just McLean, but I found myself deeply immersed in other aspects of Plath's recovery. The other thing I was mistaken about will be discussed in a separate blog post. I suppose I need to state from the outset that I am drawing conclusions from Plath's actual experiences from what she wrote in The Bell Jar and vice versa, taking information from the novel that is presently unconfirmed or murky and applying it to Plath's biography. There is enough in The Bell Jar , I think, based on real life to make these decisions. At the same time, I like to think that I know enough to distinguish where things are authentic and where details were clearly made up, slightly fudged, or out of chronological order. McLean Hospital was Plath's third and last...