Skip to main content

Books by Sylvia Plath to be Auctioned

Bloomsbury Auctions is holding a Bibliophile Sale on Thursday 15 January 2015, 11:00am, at Baverstock House, Godalming, Surrey, England.

As you might have guessed, there are a couple of Sylvia Plath lots in the auction!

Lot no. 422 - Contains 8 books by Sylvia Plath/"Victoria Lucas"
[Plath (Sylvia)], "Victoria Lucas". - The Bell Jar
Estimate £150–200

1. The Bell Jar, Contemporary Fiction edition, light creasing to head, light rubbing and surface soiling, 1964;
2. The Bell Jar, first Faber edition, staining to front free endpaper, jacket rear panel stained, very light browning to head of spine, creasing to head, 1966, original cloth, dust-jackets, excellent copies;
and 6 others by the same, 8vo (8)

Updated: 13 January 2015
The six other titles in lot 422 are:
3. The Bell Jar, Harper & Row (hardback with dust wrapper)
4. Crossing the Water, Faber & Faber (hardback with dust wrapper)
5. Winter Trees, Faber & Faber, (hardback with dust wrapper)
6. The Bed Book, Faber & Faber (hardback with dust wrapper)
7. Johnny Panic and the Bible of Dreams, Faber & Faber, (hardback with dust wrapper)
8. Collected Poems, Faber & Faber, (hardback with dust wrapper)

These all appear, from an image seen, to be first editions but I am unsure if in fact they are.

Lot no. 423 - Contains 7 books by Sylvia Plath
Plath (Sylvia) - Ariel
Estimate £150–200

1. Ariel, First edition, ink ownership inscription, jacket spine slightly browned, spine ends and corners a little chipped with minor repairs to verso, 1965;
2. The Colossus, jacket with closed tears to head of upper panel, New York, 1962, original cloth, dust-jackets;
and 5 others by the same, 8vo (7)

Updated: 13 January 2015
The five other titles in lot 423 are:
3. The Bell Jar, Harper & Row (hardback with dust wrapper)
4. Crossing the Water, Faber & Faber (hardback with dust wrapper)
5. Winter Trees, Faber & Faber, (hardback with dust wrapper)
6. The Bed Book, Faber & Faber (hardback with dust wrapper)
7. Collected Poems, Faber & Faber, (hardback with dust wrapper)

As with the above, these all appear, from an image seen, to be first editions but I am unsure if in fact they are. 


All links accessed 6 January 2015.

Comments

  1. All mine!! ;-) ..that'd be nice......

    xxx Alina(daydreaming) p.s. Miss not being on twitter anymore to have the opportunity to interact with you+your tweets.But hate stalkers so i was forced to give it up but i found it very useful.

    ReplyDelete
  2. Why does the top of one copy of the US "Bell Jar" come up to the 'P' of Plath in the title on the spine on "Winter Trees", while the copy in the other lot comes to a significantly more substantial height against the same measure?

    ReplyDelete
  3. Hello Giles! Quite an astute observation!! I hadn't noticed it myself and had to look at both images side-by-side to see it.

    The book club edition of the US edition of The Bell Jar is a taller volume than the first US edition issued by Harper & Row. Also, the book club edition is for all intents and purposes equal to the height of a first edition Winter Trees.

    In looking at copies of both books that I have (a first, a first edition seventh printing, and a book club edition) none appear as 'squat' as the one copy of The Bell Jar in Lot 422. Because (lamentably) not all of the books were clearly and carefully catalogued by Bloomsbury, I apologize for writing in my 13 January update that they appeared to be all first editions. It's clear they this probably isn't the case. As you may know there are differences in a first edition, a subsequent printing, and the book club edition. All use roughly the same jacket design, but the true first's boards are (as defined by Stephen Tabor) "in a bicolour clothe pattern of greyish purplish red (262) and white; dark reddish brown (44) or lighter cloth spine" (Annotated Bibliography, 17). The seventh printing I have has purple cloth over boards; and the book club edition has "deep red (13) cloth" over boards (Tabor, 18). In measuring the boards (not the text block), the first edition, first printing is 21.3 cm tall; the seventh printing is 21.2 cm; and the book club at 21.7 cm. But I'm also not a professional, so my measurements might be off! My Winter Trees is about 22.2 cm tall.

    I wish I could say why this book is so much smaller (now I seriously want a copy!!!), but I do think the one in Lot 422 is a different edition/printing. I've seen a Taiwanese pirated edition, but this is just as tall as the first edition but far slimmer (because cheaper, thinner paper was used for the printing).

    ~pks

    ReplyDelete

Post a Comment

Popular posts from this blog

Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove...

Some final photographs of Sylvia Plath

Susan O'Neill-Roe took a series of photographs of Sylvia Plath and her children from October to late November (or maybe early December) 1962 while she was a day nanny/mother's help at Court Green. From nearby Belstone , it was a short drive to North Tawton and the aid she provided enabled Plath to complete the masterful October and November poems and also to make day or overnight trips to London for poetry business and other business.  Some of O'Neill-Roe's photographs are well-known.  However, a cache of photographs formed a part of the papers of failed biographer Harriet Rosenstein. They were sold separately from the rest of her papers that went to Emory. I was fortunate enough to see low resolution scans of them a while back so please note these are being posted today as mere reference quality images.  There are two series here. The first of the children with Plath dressed in red and black. (This should be referred to in the future, please, as Plath's  Stendhal-c...

Sylvia Plath's Gravestone Vandalized

The following news story appeared online this morning: HEPTONSTALL, ENGLAND (APFS) - The small village of Heptonstall is once again in the news because of the grave site of American poet Sylvia Plath. The headstone controversy rose to a fever pitch in 1989 when Plath's grave was left unmarked for a long period of time after vandals repeatedly chiseled her married surname Hughes off the stone marker. Author Nick Hornby commented, "I like Plath, but the controversy reaching its fever pitch in the 80s had nothing to do with my book title choice." Today, however, it was discovered that the grave was defaced but in quite an unlikely fashion. This time, Plath's headstone has had slashed-off her maiden name "Plath," so the stone now reads "Sylvia Hughes." A statement posted on Twitter from @masculinistsfortedhughes (Masculinists for Ted Hughes) has claimed responsibility saying that, "We did this because as Ted Hughes' first wife, Sylvia de...