Sylvia Plath's Thesaurus and Kissing

On 19 February 1956, 65 years ago today, Sylvia Plath was in Whitstead at Cambridge writing in her journal. It was a Sunday night. That day she had walked to Grantchester with Christopher Levenson, the skies were gray and the landscape white but visible were browns and greens of the earth. She met John Lythgoe for tea and she read in Macbeth. These details are from her pocket calendar. Her simultaneously kept desk calendar, which tracked her academic doings, indicated she was with Chris from 10 to 1 and John from 2 to 7. It details that she finished reading O'Neill and read Ronsard, Webster, and Euripides in addition to Macbeth. She wrote one letter that day, to Jon Rosenthal.

Her journal, written that night, details quite a bit more. It started out almost as a letter: "To whom it may concern: Every now and then there comes a time when the neutral and impersonal forces of the world turn and come together in a thunder-crack of judgment." And she went on to say:

Today my thesaurus, which I would rather live with on a desert isle than a bible, as I have so often boasted cleverly, lay open after I'd written the rough draft of a bad, sick poem, at 545: Deception; 546: Untruth, 547: Dupe, 548: Deceiver. The clever reviewer and writer who is an ally of the generous creative opposing forces, cries with deadly precision: "Fraud, fraud." Which has been cried solidly for six months during that dark year of hell.

Plath's thesaurus sold back in 2018 as part of the big Frieda Hughes auction of Plath and Hughes items that she inherited.

The "clever reviewer" was Daniel Huws' review of her poems "Epitaph in Three Parts" and "'Three Caryatids Without a Portico' by Hugh Robus. A Study in Sculptural Dimensions" which were printed in Chequer.

The review appeared in Broadsheet. (I am grateful to Heather Clark for sharing a copy of Broadsheet with me.)

Huws' review would take on a new, massive significance at the end of the week at the famous (infamous) Saint Botolph's Review party she attended at Falcon Yard. Plath's journal entry may have spelled out exactly what would happen at the party:

But everybody has exactly the same smiling frightened face, with the look that says: "I'm important. If you only get to know me, you will see how important I am. Look into my eyes. Kiss me, and you will see how important I am."

This was written regarding possibly making a play for John Lythgoe. But it was Ted Hughes who kissed her that next Saturday night and found out just how important Sylvia Plath was.

Sylvia Plath's Gravestone Vandalized

The following news story appeared online this morning: HEPTONSTALL, ENGLAND (APFS) - The small village of Heptonstall is once again in the news because of the grave site of American poet Sylvia Plath. The headstone controversy rose to a fever pitch in 1989 when Plath's grave was left unmarked for a long period of time after vandals repeatedly chiseled her married surname Hughes off the stone marker. Author Nick Hornby commented, "I like Plath, but the controversy reaching its fever pitch in the 80s had nothing to do with my book title choice." Today, however, it was discovered that the grave was defaced but in quite an unlikely fashion. This time, Plath's headstone has had slashed-off her maiden name "Plath," so the stone now reads "Sylvia Hughes." A statement posted on Twitter from @masculinistsfortedhughes (Masculinists for Ted Hughes) has claimed responsibility saying that, "We did this because as Ted Hughes' first wife, Sylvia de

Famous Quotes of Sylvia Plath

Sylvia Plath inspires us all in various and wonderful ways. She is in many respects a form of comfort to us, which is something that Esther Greenwood expresses in The Bell Jar , about a bath: "There must be quite a few things a hot bath won't cure, but I don't know many of them. Whenever I'm sad I'm going to die, or so nervous I can't sleep, or in love with somebody I won't be seeing for a week, I slump down just so far and then I say: 'I'll go take a hot bath.'" We read and remember Sylvia Plath for many reasons, many of them deeply personal and private. But we commemorate her, too, in very public ways, as Anna of the long-standing Tumblr Loving Sylvia Plath , has been tracking, in the form of tattoos. (Anna's on Instagram with it too, as SylviaPlathInk .) The above bath quote is among Sylvia Plath's most famous. It often appears here and there and it is stripped of its context. But I think most people will know it is from her nove

Sylvia Plath and McLean Hospital

In August when I was in the final preparations for the tour of Sylvia Plath The Bell Jar sites, I found that I had long been mistaken about a couple of things. This is my coming clean. It was my intention in this blog post to discuss just McLean, but I found myself deeply immersed in other aspects of Plath's recovery. The other thing I was mistaken about will be discussed in a separate blog post. I suppose I need to state from the outset that I am drawing conclusions from Plath's actual experiences from what she wrote in The Bell Jar and vice versa, taking information from the novel that is presently unconfirmed or murky and applying it to Plath's biography. There is enough in The Bell Jar , I think, based on real life to make these decisions. At the same time, I like to think that I know enough to distinguish where things are authentic and where details were clearly made up, slightly fudged, or out of chronological order. McLean Hospital was Plath's third and last

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